05/28/19

La Sirena

Ray Bradbury

Allá afuera en el agua helada, lejos de la costa, esperábamos todas las noches la llegada de la niebla, y la niebla llegaba, y aceitábamos la maquinaria de bronce, y encendíamos los faros de niebla en lo alto de la torre. Como dos pájaros en el cielo gris, McDunn y yo lanzábamos el rayo de luz, rojo, luego blanco, luego rojo otra vez, que miraba los barcos solitarios. Y si ellos no veían nuestra luz, oían siempre nuestra voz, el grito alto y profundo de la sirena, que temblaba entre jirones de neblina y sobresaltaba y alejaba a las gaviotas como mazos de naipes arrojados al aire, y hacía crecer las olas y las cubría de espuma.

—Es una vida solitaria, pero uno se acostumbra, ¿no es cierto? —preguntó McDunn.

—Sí —dije—. Afortunadamente, es usted un buen conversador.

—Bueno, mañana irás a tierra —agregó McDunn sonriendo—a bailar con las muchachas y tomar gin.

— ¿En qué piensa usted, McDunn, cuando lo dejo solo?

—En los misterios del mar.

McDunn encendió su pipa. Eran las siete y cuarto de una helada tarde de noviembre. La luz movía su cola en doscientas direcciones, y la sirena zumbaba en la alta garganta del faro. En ciento cincuenta kilómetros de costa no había poblaciones; sólo un camino solitario que atravesaba los campos desiertos hasta el mar, un estrecho de tres kilómetros de frías aguas, y unos pocos barcos.

—Los misterios del mar —dijo McDunn pensativamente—. ¿Pensaste alguna vez que el mar es como un enorme copo de nieve? Se mueve y crece con mil formas y colores, siempre distintos. Es raro. Una noche, hace años, cuando todos los peces del mar salieron ahí a la superficie. Algo los hizo subir y quedarse flotando en las aguas, como temblando y mirando la luz del faro que caía sobre ellos, roja, blanca, roja, blanca, de modo que yo podía verles los ojitos. Me quedé helado. Eran como una gran cola de pavo real, y se quedaron ahí hasta la medianoche. Luego, casi sin ruido, desaparecieron. Un millón de peces desapareció. Imaginé que quizás, de algún modo, vinieron en peregrinación. Raro, pero piensa qué debe parecerles una torre que se alza veinte metros sobre las aguas, y el dios—luz que sale del faro, y la torre que se anuncia a sí misma con una voz de monstruo. Nunca volvieron aquellos peces, ¿pero no se te ocurre que creyeron ver a Dios?

Me estremecí. Miré las grandes y grises praderas del mar que se extendían hacia ninguna parte, hacia la nada.

—Oh, hay tantas cosas en el mar. —McDunn chupó su pipa nerviosamente, parpadeando. Estuvo nervioso durante todo el día y nunca dijo la causa—. A pesar de nuestras máquinas y los llamados submarinos, pasarán diez mil siglos antes que pisemos realmente las tierras sumergidas, sus fabulosos reinos, y sintamos realmente miedo. Piénsalo, allá abajo es todavía el año 300.000 antes de Cristo. Cuando nos paseábamos con trompetas arrancándonos países y cabezas, ellos vivían ya bajo las aguas, a dieciocho kilómetros de profundidad, helados en un tiempo tan antiguo como la cola de un cometa.

—Sí, es un mundo viejo.

—Ven. Te reservé algo especial.

Subimos con lentitud los ochenta escalones, hablando. Arriba, McDunn apagó las luces del cuarto para que no hubiese reflejos en las paredes de vidrio. El gran ojo de luz zumbaba y giraba con suavidad sobre sus cojinetes aceitados. La sirena llamaba regularmente cada quince segundos.

—Es como la voz de un animal, ¿no es cierto? —McDunn se asintió a sí mismo con un movimiento de cabeza—. Un gigantesco y solitario animal que grita en la noche. Echado aquí, al borde de diez billones de años, y llamando hacia los abismos. Estoy aquí, estoy aquí, estoy aquí. Y los abismos le responden, sí, le responden. Ya llevas aquí tres meses, Johnny, y es hora que lo sepas. En esta época del año —dijo McDunn estudiando la oscuridad y la niebla—, algo viene a visitar el faro.

— ¿Los cardúmenes de peces?

—No, otra cosa. No te lo dije antes porque me creerías loco, pero no puedo callar más. Si mi calendario no se equivoca, esta noche es la noche. No diré mucho, lo verás tú mismo. Siéntate aquí. Mañana, si quieres, empaquetas tus cosas y tomas la lancha y sacas el coche desde el galpón del muelle, y escapas hasta algún pueblito del mediterráneo y vives allí sin apagar nunca las luces de noche. No te acusaré. Ha ocurrido en los últimos tres años y sólo esta vez hay alguien conmigo. Espera y mira.

Pasó media hora y sólo murmuramos unas pocas frases. Cuando nos cansamos de esperar, McDunn me explicó algunas de sus ideas sobre la sirena.

—Un día, hace muchos años, vino un hombre y escuchó el sonido del océano en la costa fría y sin sol, y dijo: «Necesitamos una voz que llame sobre las aguas, que advierta a los barcos; haré esa voz. Haré una voz que será como todo el tiempo y toda la niebla; una voz como una cama vacía junto a tí toda la noche, y como una casa vacía cuando abres la puerta, y como otoñales árboles desnudos. Un sonido de pájaros que vuelan hacia el sur, gritando, y un sonido de viento de noviembre y el mar en la costa dura y fría. Haré un sonido tan desolado que alcanzará a todos y al oírlo gemirán las almas, y los hogares parecerán más tibios, y en las distantes ciudades todos pensarán que es bueno estar en casa. Haré un sonido y un aparato y lo llamarán la sirena, y quienes lo oigan conocerán la tristeza de la eternidad y la brevedad de la vida».

La sirena llamó.

—Imaginé esta historia —dijo McDunn en voz baja—para explicar por qué esta criatura visita el faro todos los años. La sirena la llama, pienso, y ella viene…

—Pero… —interrumpí.

—Chist… —ordenó McDunn—. ¡Allí!

Señaló los abismos.

Algo se acercaba al faro, nadando.

Era una noche helada, como ya dije. El frío entraba en el faro, la luz iba y venía, y la sirena llamaba y llamaba entre los hilos de la niebla. Uno no podía ver muy lejos, ni muy claro, pero allí estaba el mar profundo moviéndose alrededor de la tierra nocturna, aplastado y mudo, gris como barro, y aquí estábamos nosotros dos, solos en la torre, y allá, lejos al principio, se elevó una onda, y luego una ola, una burbuja, una raya de espuma. Y en seguida, desde la superficie del mar frío salió una cabeza, una cabeza grande, oscura, de ojos inmensos, y luego un cuello. Y luego… no un cuerpo, sino más cuello, y más. La cabeza se alzó doce metros por encima del agua sobre un delgado y hermoso cuello oscuro. Sólo entonces, como una islita de coral negro y moluscos y cangrejos, surgió el cuerpo desde los abismos. La cola se sacudió sobre las aguas. Me pareció que el monstruo tenía unos veinte o treinta metros de largo.

No sé qué dije entonces, pero algo dije.

—Calma, muchacho, calma —murmuró McDunn.

— ¡Es imposible! —exclamé.

—No, Johnny, nosotros somos imposibles. Él es lo que era hace diez millones de años. No ha cambiado. Nosotros y la Tierra cambiamos, nos hicimos imposibles. Nosotros.

El monstruo nadó lentamente y con una gran y oscura majestad en las aguas frías. La niebla iba y venía a su alrededor, borrando por instantes su forma. Uno de los ojos del monstruo reflejó nuestra inmensa luz, roja, blanca, roja, blanca, y fue como un disco que en lo alto de una mano enviase un mensaje en un código primitivo. El silencio del monstruo era como el silencio de la niebla.

Yo me agaché, sosteniéndome en la barandilla de la escalera.

— ¡Parece un dinosaurio!

—Sí, uno de la tribu.

— ¡Pero murieron todos!

—No, se ocultaron en los abismos del mar. Muy, muy abajo en los más abismales de los abismos. Es ésta una verdadera palabra ahora, Johnny, una palabra real; dice tanto: los abismos. Una palabra con toda frialdad y la oscuridad y las profundidades del mundo.

— ¿Qué haremos?

— ¿Qué podemos hacer? Es nuestro trabajo. Además, estamos aquí más seguros que en cualquier bote que pudiera llevarnos a la costa. El monstruo es tan grande como un destructor, y casi tan rápido.

— ¿Pero por qué viene aquí?

En seguida tuve la respuesta.

La sirena llamó.

Y el monstruo respondió.

Un grito que atravesó un millón de años, nieblas y agua. Un grito tan angustioso y solitario que tembló dentro de mi cuerpo y de mi cabeza. El monstruo le gritó a la torre. La sirena llamó. El monstruo rugió otra vez. La sirena llamó. El monstruo abrió su enorme boca dentada, y de la boca salió un sonido que era el llamado de la sirena. Solitario, vasto y lejano. Un sonido de soledad, mares invisibles, noches frías. Eso era el sonido.

— ¿Entiendes ahora —susurró McDunn—por qué viene aquí?

Asentí con un movimiento de cabeza.

—Todo el año, Johnny, ese monstruo estuvo allá, mil kilómetros mar adentro, y a treinta kilómetros bajo las aguas, soportando el paso del tiempo. Quizás esta solitaria criatura tiene un millón de años. Piénsalo, esperar un millón de años. ¿Esperarías tanto? Quizás es el último de su especie. Yo así lo creo. De todos modos, hace cinco años vinieron aquí unos hombres y construyeron este faro. E instalaron la sirena, y la sirena llamó y llamó y su voz llegó hasta donde tú estabas, hundido en el sueño y en recuerdos de un mundo donde había miles como tú. Pero ahora estás solo, enteramente solo en un mundo que no te pertenece, un mundo del que debes huir.

»El sonido de la sirena llega entonces, y se va, y llega y se va otra vez, y te mueves en el barroso fondo de los abismos, y abres los ojos como los lentes de una cámara de cincuenta milímetros, y te mueves lentamente, lentamente, pues tienes todo el peso del océano sobre los hombros. Pero la sirena atraviesa mil kilómetros de agua, débil y familiar, y en el horno de tu vientre arde otra vez el juego, y te incorporas lentamente, lentamente. Te alimentas de grandes cardúmenes de bacalaos y de ríos de medusas, y subes lentamente por los meses de otoño, y septiembre cuando nacen las nieblas, y octubre con más niebla, y la sirena todavía llama, y luego, en los últimos días de noviembre, luego de ascender día a día, unos pocos metros por hora, estás cerca de la superficie, y todavía vivo. Tienes que subir lentamente: si te apresuras; estallas. Así que tardas tres meses en llegar a la superficie, y luego unos días más para nadar por las frías aguas hasta el faro. Y ahí estás, ahí, en la noche, Johnny, el mayor de los monstruos creados. Y aquí está el faro, que te llama, con un cuello largo como el tuyo que emerge del mar, y un cuerpo como el tuyo, y, sobre todo, con una voz como la tuya. ¿Entiendes ahora, Johnny, entiendes?

La sirena llamó.

El monstruo respondió.

Lo vi todo…, lo supe todo. En solitario un millón de años, esperando a alguien que nunca volvería. El millón de años de soledad en el fondo del mar, la locura del tiempo allí, mientras los cielos se limpiaban de pájaros reptiles, los pantanos se secaban en los continentes, los perezosos y dientes de sable se zambullían en pozos de alquitrán, y los hombres corrían como hormigas blancas por las lomas.

La sirena llamó.

—El año pasado —dijo McDunn—, esta criatura nadó alrededor y alrededor, alrededor y alrededor, toda la noche. Sin acercarse mucho, sorprendida, diría yo. Temerosa, quizás. Pero al otro día, inesperadamente, se levantó la niebla, brilló el sol, y el cielo era tan azul como en un cuadro. Y el monstruo huyó del calor, y el silencio, y no regresó. Imagino que estuvo pensándolo todo el año, pensándolo de todas las formas posibles.

El monstruo estaba ahora a no más de cien metros, y él y la sirena se gritaban en forma alternada. Cuando la luz caía sobre ellos, los ojos del monstruo eran fuego e hielo.

—Así es la vida —dijo McDunn—. Siempre alguien espera que regrese algún otro que nunca vuelve. Siempre alguien que quiere a algún otro que no lo quiere. Y al fin uno busca destruir a ese otro, quienquiera que sea, para que no nos lastime más.

El monstruo se acercaba al faro.

La sirena llamó.

—Veamos que ocurre —dijo McDunn.

Apagó la sirena.

El minuto siguiente fue de un silencio tan intenso que podíamos oír nuestros corazones que golpeaban en el cuarto de vidrio, y el lento y lubricado girar de la luz.

El monstruo se detuvo. Sus grandes ojos de linterna parpadearon. Abrió la boca. Emitió una especie de ruido sordo, como un volcán. Movió la cabeza de un lado a otro como buscando los sonidos que ahora se perdían en la niebla. Miró el faro. Algo retumbó otra vez en su interior. Y se le encendieron los ojos. Se incorporó, azotando el agua, y se acercó a la torre con ojos furiosos y atormentados.

— ¡McDunn! —grité—. ¡La sirena!

McDunn buscó a tientas el obturador. Pero antes que la sirena sonase otra vez, el monstruo ya se había incorporado. Vislumbré un momento sus garras gigantescas, con una brillante piel correosa entre los dedos, que se alzaban contra la torre. El gran ojo derecho de su angustiada cabeza brilló ante mí como un caldero en el que podía caer, gritando. La torre se sacudió. La sirena gritó; el monstruo gritó. Abrazó el faro y arañó los vidrios, que cayeron hechos trizas sobre nosotros.

McDunn me tomó por el brazo.

— ¡Abajo! —gritó.

La torre se balanceaba, tambaleaba, y comenzaba a ceder. La sirena y el monstruo rugían. Trastabillamos y casi caímos por la escalera.

— ¡Rápido!

Llegamos abajo cuando la torre ya se doblaba sobre nosotros. Nos metimos bajo las escaleras en el pequeño sótano de piedra. Las piedras llovieron en un millar de golpes. La sirena calló bruscamente. El monstruo cayó sobre la torre, y la torre se derrumbó. Arrodillados, McDunn y yo nos abrazamos mientras el mundo estallaba.

Todo terminó de pronto, y no hubo más que oscuridad y el golpear de las olas contra los escalones de piedra.

Eso y el otro sonido.

—Escucha —dijo McDunn en voz baja—. Escucha.

Esperamos un momento. Y entonces comencé a escucharlo. Al principio fue como una gran succión de aire, y luego el lamento, el asombro, la soledad del enorme monstruo doblado sobre nosotros, de modo que el nauseabundo hedor de su cuerpo llenaba el sótano. El monstruo jadeó y gritó. La torre había desaparecido. La luz había desaparecido. La criatura que llamó a través de un millón de años había desaparecido. Y el monstruo abría la boca y llamaba. Eran los llamados de la sirena, una y otra vez. Y los barcos en alta mar, no descubriendo la luz, no viendo nada, pero oyendo el sonido debían de pensar: ahí está, el sonido solitario, la sirena de la bahía Solitaria. Todo está bien. Hemos doblado el cabo.

Y así pasamos aquella noche.

A la tarde siguiente, cuando la patrulla de rescate vino a sacarnos del sótano, sepultado bajo los escombros de la torre, el sol era tibio y amarillo.

—Se vino abajo, eso es todo —dijo McDunn gravemente—. Nos golpearon con violencia las olas y se derrumbó.

Me pellizcó el brazo.

No había nada que ver. El mar estaba sereno, el cielo era azul. La materia verde que cubría las piedras caídas y las rocas de la isla olían a algas. Las moscas zumbaban alrededor. Las aguas desiertas golpeaban la costa.

Al año siguiente construyeron un nuevo faro, pero en aquel entonces yo había conseguido trabajo en un pueblito, y me había casado, y vivía en una acogedora casita de ventanas amarillas en las noches de otoño, de puertas cerradas y chimenea humeante. En cuanto a McDunn, era el encargado del nuevo faro, de cemento y reforzado con acero.

—Por si acaso —dijo McDunn.

Terminaron el nuevo faro en noviembre. Una tarde llegué hasta allí y detuve el coche y miré las aguas grises y escuché la nueva sirena que sonaba una, dos, tres, cuatro veces por minuto, allá en el mar, sola.

¿El monstruo?

No volvió.

—Se fue —dijo McDunn—. Se ha ido a los abismos. Comprendió que en este mundo no se puede amar demasiado. Se fue a los más abismales de los abismos a esperar otro millón de años. Ah, ¡pobre criatura! Esperando allá, esperando y esperando mientras el hombre viene y va por este lastimoso y mínimo planeta. Esperando y esperando.

Sentado en mi coche, no podía ver el faro o la luz que barría la bahía Solitaria. Sólo oía la sirena, la sirena, la sirena, y sonaba como el llamado del monstruo.

Me quedé así, inmóvil, deseando poder decir algo.

05/14/19

The Powder Mage

Reseña tomada de Fantasy Book Review

The alchemy of gunpowder fused with the magic of sorcery. In a time of upheaval, resurgence and corrupted Royalty Privileged, one-man’s love for his lost wife and his country burns and fuels a new order where all can be treated equally. Sometimes to build new you must burn the old. Legends long hidden may rue the day when Old Gods return and Field Marshal Tamas’s coup against a failing, rotten and self-indulgent royalty balances on a knife edge. Tamas must rely on his friends and alienated son Taniel if his people and the Nine Nations are to survive.

«The use of gunpowder, the abilities the Powder Mage’s have, and the way that they conflict with other magic users, makes this story even more captivating. The overall concept of magic in Brian McClellan’s Powder Mage world is one that I cannot wait to return to, hopefully again and again. Add to that the overarching plot that has been set up, and my own tendency towards disliking monarchies, and Promise of Blood is a book I can easily recommend to anyone.»

Libros:

01 Promise of Blood 02 The Crimson Campaign 03 The Autumn Republic
05/14/19

Promise of Blood, Brian McClellan

Reseña tomada de Fantasy Book Review

The alchemy of gunpowder fused with the magic of sorcery. In a time of upheaval, resurgence and corrupted Royalty Privileged, one-man’s love for his lost wife and his country burns and fuels a new order where all can be treated equally.

Sometimes to build new you must burn the old.

Legends long hidden may rue the day when Old Gods return and Field Marshal Tamas’s coup against a failing, rotten and self-indulgent royalty balances on a knife edge. Tamas must rely on his friends and alienated son Taniel if his people and the Nine Nations are to survive.

Initially I was unsure concerning backdrop for the story, the French Revolution. This premise screams off the page and the mix of gunpowder, muskets and magic didn’t initially pique my appetite; thankfully I was wrong (it’s surprising how often that happens). Gratefully, considering the Revolution theme we didn’t have to wade through pages of blood and beheadings, but the backdrop added well to the undertone for the narrative and the characters stories and motives are portrayed well because of it.

The story’s layers are evident from the opening page; McClellan builds out a vision of his world step by step, first slowly admittedly but soon picking up pace, and draws you into the lives of Tamas, Taniel and the Nine Nations. You begin to understand better and can appreciate the interactions in the world they inhabit.

McClellan’s magical world is divided into three main factions; the Privileged, the Powder Mages and the Knacked. This mix gives rise to some interesting encounters and abilities. The Privileged are sorcerers and have traditional normal sorcerer powers, Powder Mages fuel there abilities by ingesting gunpowder which increases there physical attributes greatly to superhuman limits and the Knacked can have any ability from physical or a magical talent, but are locked into that one talent only. Using this recipe McClellan really spiced it up between the three groups as part of their exchanges. Privileged have the power to can kill anyone, Powder Mages can kill Privileged and the Knacked are along for the ride.

The main character Tamas is initially comes across as a hard and chiselled personality but as you progress through the story you get that he is a committed man who is trying his best to do the right thing, which sometimes includes hard choices with hard outcomes. There is a realism and quality that I found appealing in Tamas.

There is a fairly meagre attempt at intrigue when Tamas survives an assassination attempt by someone in his trusted circle. The biggest problem for me was the character Adamat investigating this attempt didn’t actually give the reader any real detail, so there was no way to actually speculate whom the turncoat may be. Thankfully I didn’t find it to be a major plot item so it can be somewhat excused. This can be considered the one weak link in an otherwise good plot and it did lead to a nice fight scene at the end of the story.

Ultimately some tried and trusted fantasy concepts make there way into the story; near immortal sorcerers who called down the original Gods.

Love, betrayal, swords, magic, muskets and Kresimir returned, there is trouble on the horizon for Tamas in book two. I will say this now, Tamas will die; he is going to sacrifice himself to the Kresimir to save the world or his son or both. I just can’t see another out outcome for him. Thankfully we are a while away from that, maybe I should say hopefully…
Fergus McCartan, 8.5/10: Recommended, you can almost smell the gunpowder and hear the guillotine falling.

I like my fantasy medieval. I always have, and I suspect I always will. It’s a hard habit to break, to be honest, and I much prefer my characters swinging swords, drawing bows, and charging an enemy line atop a horse. Put a car or a machine gun in your story, and you’re one step towards driving me away.

Which is why I’m so surprised that I liked ‘Promise of Blood’ so much.

Written by Brian McClellan, Promise of Blood introduces guns into my fantasy. To be fair, it’s a lot of musket and one-shot pistols, canon balls, and whatever else can be fired using copious amounts of gunpowder, but it’s still a technology I’m not normally fond of in my fantasy.

So to understand why I liked this book so much, I think we have to look a bit further.

The overall plot is fantastic, weaving together several characters’ viewpoints, skills, and faults, to create an utterly compelling and fascinating tapestry. Each character comes with their own misconceptions of the world, and strengths that help them drive past their faults and quirks. While the plot is at times helpfully contrived to reach a specific destination, this actually helps the story, creating a heightened tension for the reader as they wait for the expected to happen – more often than not, at entirely unexpected times.

While sensibly contained to one book, the story does allow for that anticipatory desire to keep reading, following the story into further and more interesting locations. The world surrounding our characters, and the history and mythology preceding them, all combine to create a whole that is utterly compelling.

The introduction and layout of the mythology/religion that drives this world is a tad familiar, but executed wonderfully. There is no confusion as to how the religion and its deities relate to the world and its people, as they just do, bypassing one of the tricky parts of including religion in your fantasy story.

Which makes the inclusion of the guns a non-issue – even more so considering the way that McClellan wove the introduction of guns and gunpowder into the world’s magic system. Some purists might wonder at the outset just why there are apparently three – and maybe more – types of magic. However, I’ve never been overly concerned about issues like that, given the inherent magic of … magic.

The use of gunpowder, the abilities the Powder Mage’s have, and the way that they conflict with other magic users, makes this story even more captivating. The overall concept of magic in Brian McClellan’s Powder Mage world is one that I cannot wait to return to, hopefully again and again. Add to that the overarching plot that has been set up, and my own tendency towards disliking monarchies, and Promise of Blood is a book I can easily recommend to anyone.
Joshua S Hill, 8/10

This Promise of Blood book review was written by Fergus McCartan and Joshua S Hill

Descargar libro: Promise of Blood

05/14/19

The Crimson Campaign, Brian McClellan

Reseña tomada de Fantasy Book Review

The Crimson Campaign is the second in the Powder Mage Trilogy and much like The Promise of Blood, it is simply fantastic. Gods, overt and introvert, magic, a struggle for survival and desire for revenge, bundled up across three main story arcs.

In the first, Tamas struggles to survive after a massive defeat at the hands of the Kez, trapped behind enemy lines, he and his men travel the long way home, harassed and hurried at every point. In this journey we get to see a lot of Tamas’s inner personality coming through, his commitment, conviction and his dedication to the cause, all of which is written by Brian McClellan with passion and flare. We are even given a deeper insight into the reasons behind Tamas starting the revolution, it’s not a large revelation, but definitely something that helps round out the character.

Taniel’s initial story centers around his recovery after the events on South Pike Mountain and his attempted assassination of Kresimir. Lost in a haze of drugs, the consequence of trying to suppress the memory of killing a God, Taniel»s mental defenses are shattered, but slowly he recovers with the help of Ka-poel (Pole). Later, as Taniel makes his way to the war front we are delivered an ever-increasing level of frustration as obstacle after obstacle is thrown in his path, some by allies and some by enemies. This particular element was an interesting read, as I could feel the aggravation and irritation coming off the page from the character. It even set me on edge, and any book and author that can accomplish this level of immersion deserves all the accolades they get. There is a lot more coming for this character (and a lot has already happened) thanks to the protection and spells that Pole has woven around him.

— Speculation —
This advanced state of Powder Mage is one of the circumstances in which I believe Tamas will die. I sense Taniel will go up against something he cannot handle, even with his new abilities and Tamas will need to sacrifice himself to save him and Adro.
— Speculation End —

Finally, we have Adamat and the search for his wife and son. This is actually my favourite storyline from the book, it plays on all the key emotions of the reader, fear hope, angry and happiness. It definitely had the most variety in plots elements in my opinion. The character is smart, capable and willing to take action and inaction when necessary to achieve the end result. There is a common man feel to his personality and persona, a view of right, wrong and practicality I really enjoy. I could easily see Adamat having his own full length novel in the future, building on his early years and career such as in Murder at the Kinnen Hotel. Across the two main books, his role and interactions have been largely separate from Tamas and Taniel’s, but I am hoping in The Autumn Republic we get more of a crossover of plots between the three.

Sometimes in split view novels like this, one or two stories shine greater than the others and the reader (yes, I do this) rushes through some of the less fulfilling sections of the book in order to get back to their favourite, but in The Crimson Campaign none of this is present. Each storyline is as engaging as the next and you savour each word, paragraph and chapter as revelations, betrayal and death lead the characters down a long and sometimes crooked path.

The few negatives I did have concerned the nature of the telling and certain issues with the Taniels interactions with the army after Tamas’s presumed death. I said it earlier, but I would have liked a little more crossover between the three characters, but considering the plot for each one of the them, it would not have been really feasible. One aspect of this view was I could imagine The Crimson Campaign easily being read as three separate novella’s set around the same events, however his doesn’t take away from the novel or my enjoyment of it. Secondly, I did think the discovery and betrayal of Taniel inside his own army feels a little off. It comes across like the entire Adro command structure just fell to infighting and power mongering without Tamas, regardless of the actions of the traitor in their midst. Considering these characters all stood with Tamas during his initial revolution in Promise of Blood, it was just hard to see how this Taniel plot aspect came about so quickly. This was not a major concern but something that did niggle at the back of my mind.

— Contains Spoilers —

My Autumn Republic speculation and predictions.

  • Tamas dies. Think about it, there is no other ending for him.
  • Tamas realises he is in love with Vlora. Considering his reaction after he sees her with Olem, he finally understands why he was so hurt by her betrayal of Taniel.
  • Adamant becomes the first Prime Minster of Adro, after Ricard dies.
  • Another sibling or two of Kresimir will turn up now that Mihali is gone.
  • Nila will become the reincarnated form of a Kresimir sibling.
  • I feel Pole’s power is linked to her silence. In order to save Taniel’s life at some point she speaks which causes her to lose her powers.
  • Privileged Borbador falls in love with Nila.
  • Adamant’s son, now found to be a latent Powder Mage will become something twisted and alerted by Kresimir as part of his search for Taniel.

— End Spoilers —
Fergus McCartan, 9/10

I have reviewed hundreds of books, from a variety of authors, in a variety of genres, from standalones to ten-book epics, and I have discovered one factor that remains constant – sequels, whether planned or unexpected, are the hardest books to write. Some have nailed it, others have squandered the opportunity, but all have had to work very hard to make it work at all.

Brian McClellan stepped onto the fantasy scene with some acclaim, receiving pull quotes from Brandon Sanderson and Peter V. Brett that other authors would give their brother’s left arm for (or is that just me?). Earlier this year (coming late to the party, as usual) I gave Brian McClellan’s debut novel ‘Promise of Blood’ 8 out of 10.

Enter the sequel, ‘The Crimson Campaign’, the second book in ‘The Powder Mage trilogy’.

Set a month or so after the conclusion of Promise of Blood, this second book picks up the story and runs headlong into battle, paying very little heed to whether you followed along or not. Sometimes this doesn’t work, leaving the readers flailing around for context, but McClellan managed to not only pull the reader along in the first few frantic chapters, but reminded us clearly who each of his characters were, where they were at and what had happened, all without having to info-dump us into oblivion.

And then, suddenly, everything has turned on its head. Thousands are caught behind enemy lines, there’s mischief afoot in camp, and the capital city is a powder keg – almost literally, in this world of muskets and magic.

About a half of the way through the book, however, things start to drag a little. McClellan starts to rely on some lazy writing to force his story in the direction he had hoped it would run, and the whole story sort of tails off to an unexpected conclusion. While the first half of the book started strongly and really had me excited, the conclusion left me feeling as if the whole point of this book was simply to get to book 3. There were several plots that were only half-heartedly touched upon, leaving the reader feeling as if this was just a stopover.

Some authors know just how to pace a story – which includes pacing each of the subsequent plot lines within that larger story. Other authors are just beginning, and need a little bit of time to work out how to string together multiple plot points. Brian McClellan is in no way lacking as an author, but it is obvious he is just starting out – finding his footing, so to speak. His ability to write fights and battles, characters, and world-building is wonderful, and leaves you truly wanting more. His pacing leaves a little to be desired, but I have no doubt – given his pedigree and influences – that he’ll be wowing us for years to come.

The Crimson Campaign is a fine addition to the Powder Mage Trilogy, though it might leave you wanting a little by the time you finish.
Joshua S Hill, 7/10

This The Crimson Campaign book review was written by Fergus McCartan and Joshua S Hill

Descargar libro: The Crimson Campaign

05/14/19

The Autumn Republic, Brian McClellan

Reseña tomada de Fantasy Book Review

In 2014 I read both of Brian McClellan’s ‘The Powder Mage Trilogy’ books – ‘Promise of Blood’ and ‘The Crimson Campaign’. I loved both of them, though by the end of the second book it had started to lag somewhat. Regardless, that momentary lapse had obviously not stuck with me, as I only just remembered it having checked on my review for it. Instead, I was eagerly awaiting the final book in the trilogy, which was published earlier this year – ‘The Autumn Republic’.

Gosh, even the name is awesome, just like the book itself!

The Autumn Republic takes up immediately following the conclusion of The Crimson Campaign, and does so without any of the “lazy writing” I had commented on therein. In fact, it’s almost go-go-go right to the end, as the many and weaving storylines that have run through the trilogy come to their conclusions.

And in none of them was I disappointed.

No more are characters conveniently separated by distance and accidents, replaced instead by repeated instances of running into one another, so that the story keeps its pace and heightened excitement all the way to the end. Tamas goes after his son, Taniel, who goes after everyone – including an explosive but short-lived battle against a god. Others return from the dead, as some meet their own ends. The election is won, but by no means is anything actually over by that point, and in the end some of the most impressive characters to burst onto the page in decades are able to slink away into the shadows, soon to be forgotten.

The Autumn Republic is exactly how you should conclude a series of books – no matter how lengthy. Most everything is tied up – neatly, maybe, but in some instances “neatly” isn’t always the same as “happily”. But even if the endings aren’t always happy, they are always legitimate endings – endings that are right and leave the reader content.

I actually cried towards the end of the book, real tears as everything finally came to a head. There were no last-minute characterisation changes that I had to explain, no convenient loopholes to ignore, and nothing that left a sour taste in my mouth. There are avenues for Brian McClellan to continue along if he chooses – and in at least two cases, I certainly hope he does – but there are also many closed doors that I don’t feel the need to hang onto a key for.

The characterisations from this series have been impeccable, and leave me with some of the most interesting characters I have read since Brandon Sanderson’s ‘Mistborn’ series. There’s no denying the hype that Brian McClellan receives, but thankfully, there’s no reason to either – it’s entirely deserved.

Make sure you check out the Powder Mage Trilogy, if you haven’t already, as it’s one of the top 10 books to come out this decade.
Joshua S Hill, 9/10

Endings are difficult for me as a reader as I am always hesitant at picking up the last in a series for the simple reason I don’t want the story to finish or my own preconceived ideas regarding the fate of a hero, villain and finale distorted. Pleasantly, The Autumn Republic succeeds in closing off this trilogy in a very satisfying way, even if not the way I had thought it would.

Initially, Tamas returns to Adopest in search of Taniel who is no longer there, but at the war front, requiring him to leave Adopest in the hands of Claremonte and the Brudania-Gurla Trading Company and travel to the battle with Kez. Skirmishes, wins, losses, secrets and death ensue, all told in the superb McClellan style, but what took me by surprise was the introduction of another more powerful God, Brude, brother of Kresimir and Milhali. I did think another God sibling would show up, but definitely not in the way they did. If I could say one thing about The Autumn Republic it would be this – leave your own theories and notions of what is going to happen at the cover and roll with it, because it’ll be worth it.

Much like the other books in the trilogy, we are given a story across many characters’ points of view. We have the usual Tamas, Taniel, Adamat POV’s and with The Autumn Republic we have the addition of Nila and Borbador.  Thankfully, we get a lot of crossover between the individual stories, something I did miss in the other two books, culminating in the final push and take back of Adopest against the Brudania-Gurla Trading Company. The shape and flow of the characters stories and how they are connected and separate has been masterfully woven and unlike others I have read, really excels.

This upgraded P.O.V for Nila and Borbador which includes Adamat, takes up much of the beginning of the book as they search for Taniel, work to discover the Adro military traitor, as well as going into battle against Kez. This amount of attention only leads me to the idea that Nila will have a large part to play in the next trilogy. There are already hints concerning her future state, with an open question surrounding the mystery of why she is able to use magic without gloves, something that is not discussed in any great detail and so we are still left speculating. Being honest, I did not see how the Nila character would play out, I had just assumed she was going to be [Star Trek reference] that crewman on the Star Trek away team who always gets killed off.  However, in The Autumn Republic she really begins to shine and come into her own and I look forward to seeing her in the future books, which I am happy to say, will be coming, just not soon enough.

There is a comforting but still creative feeling of what came before as The Autumn Republic cycles back to the core nature of characters. Adamant is on the hunt once more, solving problem and doing his best to stay alive. Tamas, strong, determined and focused, begins to realise that some thing’s end and some sacrifices are worth making. There is not a single fault with this character for me, there is the feel of a real personality behind the words, which has grown over the successive books, culminating in this last struggle for freedom. As expected Taniel and Ka-poel struggle, fight to live and cling to the love Taniel is finally able to admit.  Personally, I would have liked a little more Ka-poel ‘magic’ action as her participation felt a little light for my taste. I just hope these two make it back into the next trilogy, maybe with a wee babe in toe to add to the mayhem. Taniel and Tamas finally begin to say the things that have been unsaid for so long, no longer Superior and solider, but father to son.

First and foremost, this is not a conclusion and don’t get me wrong, this is not a downbeat statement. It would be better to say this is an end to one story and a beginning to the next. Certain elements and characters have been lined up in much a way that they are poised to shine in the next series. Question marks still hang over a few of my favourite characters, such as Taniel and his enhanced abilities, Vlora and her duty (you’ll see) and maybe Adamat’s son (that ones a little iffy), but I can see that McClellan is building a complex and diverse universe which does not centre around only one or two characters, but many.

The Autumn Republic is everything you want, and didn’t want for this story. The writing quality, flow and depth of commitment Brian McClellan has put into this final book in the trilogy is no less than the previous two instalments.  I cannot see how you will be disappointed.
Fergus McCartan, 9/10

This The Autumn Republic book review was written by Joshua S Hill and Fergus McCartan

Descargar libro: The Autumn Republic, Brian McClellan